Death is not taken lightly in Scream 7, even as the kills get outrageous. By the time the franchise got to Scream 3, it began giving into an ugly slasher cliche: making most of the victims unlikable before they die. Presumably, this is so the audience can enjoy the violent spectacle, rather than being saddened as the body count grows. In Scream 3, this series turned abruptly misogynistic, featuring a blonde actress (Jenny McCarthy) who is depicted as "nagging" before being slaughtered, then a sweet ingénue (Emily Mortimer) who, before being killed, is slutshamed for sleeping with a producer to get the role of Sidney in Stab 3. (See also Alison Brie's wickedly opportunistic PR agent in Scream 4.)
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Williamson earned his first screenplay credit in 1996 for Scream, swiftly defining a brand of horror where teens weren't stupid victims, but snarky, smart, and still susceptible to homicide. He'd go on to pen Scream 2 and 4. For Scream 7, he teamed up on the screenplay with James Vanderbilt and Guy Busick, who penned 5 and VI. And Williamson also takes the helm of this one. Out the gate, you can feel Williamson's influence in the cracking dialogue between a quarreling couple at a taboo Airbnb.
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